The Vox Musica Trust

Charity Number: 1073071

Annual Expenditure: £0.2M

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Quick Stats

  • Charity Number: 1073071
  • Annual Income: £37,330 (year ending April 2024)
  • Annual Expenditure: £209,466 (year ending April 2024)
  • Geographic Focus: International
  • Founded: December 1998

Contact Details

  • Phone: 020 7262 9147 / 07711432466
  • Address: 43 Star Street, London, W2 1QA
  • Charity Commission: Register Entry

Overview

THE VOX MUSICA TRUST was established in December 1998 by trust deed, with a mission to promote, improve, develop and maintain public education in and appreciation of music in all its aspects anywhere in the world. The trust particularly focuses on musical works for solo and a cappella voices and voices with instruments. Founded by Michael Berman CBE and Katharine Verney, who are also co-founders of Southbank Sinfonia (established 2002), the trust reflects their long-standing commitment to music education and supporting young musicians. The trust's expenditure significantly exceeds its annual income, suggesting it draws on accumulated reserves to support its grant-making activities. The trust operates with three trustees and no paid employees, with all trustees serving without remuneration.

Funding Priorities

Grant Programs

The trust makes grants to both organizations and individuals, though specific program details, grant amounts, and application processes are not publicly documented. The trust's activities focus on promoting music education and appreciation, particularly in vocal and choral music.

Priority Areas

Based on the trust's charitable objectives, priority areas include:

  • Music education programs
  • Vocal and choral music initiatives
  • A cappella and solo voice performances
  • Music appreciation programs
  • Support for young musicians and emerging talent

What They Don't Fund

Specific exclusions are not publicly documented.

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Governance and Leadership

Trustees:

  • Mr. J. Michael Berman CBE - Co-founder, alongside his wife Katharine Verney, of Southbank Sinfonia (2002), which provides orchestral training for young postgraduate musicians transitioning from conservatoires into professional careers. Both Michael Berman and Katharine Verney are supporters of the Royal Philharmonic Society as RPS Fellows.
  • Ms. Katharine Priscilla Verney - Co-Founder and Trustee of Southbank Sinfonia, with extensive experience in music philanthropy and education.
  • Mr. Keith Tony Parker - While specific details about this trustee are limited in public records, a Tony Parker with significant music industry experience has served as Chairman of the BPI (British Phonographic Industry), Chairman of BRIT Awards Ltd, and holds trustee positions with the BRIT Trust, EMI Music Sound Foundation, and EMI Archive Trust.

No trustees receive any remuneration, payments, or benefits from the charity.

Application Process and Timeline

How to Apply

This trust does not have a public application process. There is no information available on their Charity Commission page or through public sources about how to apply for grants, application deadlines, or eligibility criteria. Grants appear to be made at the discretion of the trustees.

Decision Timeline

No information is publicly available about decision timelines.

Success Rates

No information is publicly available about application numbers, success rates, or typical award amounts.

Reapplication Policy

No information is publicly available about reapplication policies.

Application Success Factors

Due to the lack of public information about this trust's grant-making processes and criteria, specific success factors cannot be documented. The trust's focus areas based on its charitable objectives suggest:

  • Projects should align with music education and appreciation
  • Vocal and choral music initiatives appear to be of particular interest
  • The trustees' background with Southbank Sinfonia suggests possible interest in supporting young musicians transitioning into professional careers

Key Takeaways for Grant Writers

  • No Public Application Process: This trust does not have a documented public application process; grants appear to be made at trustee discretion
  • Vocal Music Focus: The trust's objectives specifically emphasize solo and a cappella voices and voices with instruments
  • Experienced Trustees: The trustees have significant experience in music education, music industry leadership, and philanthropy
  • International Scope: The trust's objectives extend to music education “anywhere in the world”
  • Limited Public Information: Very little detail is available about specific grants awarded, funding priorities, or application procedures
  • Resource-Rich: Despite modest annual income (£37,330), the trust's expenditure (£209,466) indicates significant reserves available for grant-making
  • Relationship-Based: Without a public application process, funding likely flows through existing networks and relationships in the music education sector

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References